The summer is known for big studio blockbusters, but for many fans of The Criterion Collection, releases are in store for something special in June as they’ve announced six additions are coming in glorious 4K UHD.
Criterion presents a group of films that includes Joachim Trier’s charming Oscar contender, “The Worst Person in the World”; Hong Kong master Stanley Kwan’s romantic ghost story, “Rouge”; Ekwa Msangi’s remarkable debut feature debut, “Farewell Amor”; and “Shaft,” the blaxploitation action-hero classic from Gordon Parks that helped launched serious black-led action films, now on 4K UHD. Plus: one of the trashiest films ever made, “Pink Flamingos” by beloved smut-peddler John Waters, and one of the lushest, most operatic Technicolor spectacle ever made, Michael Powell and Emeric Pressburger’s gorgeously-made “The Tales of Hoffmann” that should melt eyeballs.
READ MORE: The Essentials: The Films Of Powell & Pressburger
Anyone who collects these fantastic presentations understands that it’s better to pre-order and get in there early before they run out of copies in the first wave of the collectible physical copies of these modern classics and historic motion pictures.
THE TALES OF HOFFMANN (1951)
Michael Powell and Emeric Pressburger create a phantasmagoric marriage of cinema and opera in this one-of-a-kind take on a classic story. In Jacques Offenbach’s fantasy opera The Tales of Hoffmann, a poet dreams of three women—a mechanical performing doll, a bejeweled siren, and the consumptive daughter of a famous composer—all of whom break his heart in different ways. Powell and Pressburger’s feverishly romantic adaptation is a feast of music, dance, and visual effects, and one of the most exhilarating opera films ever produced.
SPECIAL FEATURES:
- 4K digital restoration by The Film Foundation and the BFI National Archive, in association with STUDIOCANAL, featuring newly rediscovered footage and with uncompressed monaural soundtrack on the Blu-ray
- Audio commentary from 1992 by filmmaker Martin Scorsese and critic Bruce Eder, newly updated by Eder
- Interview with filmmaker George A. Romero from 2005
- The Sorcerer’s Apprentice (1956), a short musical film based on the Johann Wolfgang von Goethe story and directed by Michael Powell
- Collection of production designer Hein Heckroth’s design sketches and paintings
- Gallery of production and publicity photographs
- Trailer
- English subtitles for the deaf and hard of hearing
- Plus: An essay by film historian Ian Christie
SHAFT (1971)
While the Black Power movement was reshaping America, trailblazing director Gordon Parks made this groundbreaking blockbuster, which helped launch the blaxploitation era and gave the screen a new kind of badder-than-bad action hero in John Shaft (Richard Roundtree, in a career-defining role), a streetwise New York City private eye who is as tough with criminals as he is tender with his lovers. After Shaft is recruited to rescue the kidnapped daughter of a Harlem mob boss (Moses Gunn) from Italian gangsters, he finds himself in the middle of a rapidly escalating uptown vs. downtown turf war. A vivid time capsule of seventies Manhattan in all its gritty glory that has inspired sequels and multimedia reboots galore, the original Shaft is studded with indelible elements—from Roundtree’s sleek leather fashions to the iconic funk and soul score by Isaac Hayes.
SPECIAL FEATURES:
- New 4K digital restoration, with uncompressed monaural soundtrack
- Alternate uncompressed stereo soundtrack remastered with creative input from Isaac Hayes III
- In the 4K UHD edition: One 4K UHD disc of the film presented in Dolby Vision HDR and two Blu-rays with the film and special features
- Shaft’s Big Score!, the 1972 follow-up to Shaft by director Gordon Parks
- New documentary on the making of Shaft featuring curator Rhea L. Combs, film scholar Racquel J. Gates, filmmaker Nelson George, and music scholar Shana L. Redmond
- Behind-the-scenes program featuring Parks, actor Richard Roundtree, and musician Isaac Hayes
- Archival interviews with Hayes, Parks, and Roundtree
- New interview with costume designer Joseph G. Aulisi
- New program on the Black detective and the legacy of John Shaft, featuring scholar Kinohi Nishikawa and novelist Walter Mosley
- A Complicated Man: The “Shaft” Legacy (2019)
- Behind-the-scenes footage from Shaft’s Big Score!
- Trailers
- English subtitles for the deaf and hard of hearing
- PLUS: An essay by film scholar Amy Abugo Ongiri
PINK FLAMINGOS (1972)
John Waters made bad taste perversely transcendent with the forever shocking counterculture sensation Pink Flamingos, his most infamous and daring cinematic transgression. Outré diva Divine is iconic as the wanted criminal hiding out with her family of degenerates in a trailer outside Baltimore while reveling in her tabloid notoriety as the “Filthiest Person Alive.” When a pair of sociopaths (Mink Stole and David Lochary) with a habit of kidnapping women in order to impregnate them attempt to challenge her title, Divine resolves to show them and the world the true meaning of the word filthy. Incest, cannibalism, shrimping, and film history’s most legendary gross-out ending—Waters and his merry band of Dreamlanders leave no taboo unsmashed in this gleefully subversive ode to outsiderhood, in which camp spectacle and pitch-black satire are wielded in an all-out assault on respectability.
DIRECTOR-APPROVED TWO-BLU-RAY SPECIAL EDITION FEATURES:
- New 4K digital restoration, supervised and approved by director John Waters, with uncompressed monaural soundtrack
- Two audio commentaries featuring Waters, from the 1997 Criterion laserdisc and the 2001 DVD release
- New conversation between Waters and filmmaker Jim Jarmusch
- Tour of the film’s Baltimore locations, led by Waters
- Deleted scenes, alternate takes, and on-set footage
- Trailer
- English subtitles for the deaf and hard of hearing
- And more!
- PLUS: An essay by critic Howard Hampton and a piece by actor and author Cookie Mueller about the making of the film, from her 1990 book Walking Through Clear Water in a Pool Painted Black
ROGUE (1987)
Cantopop superstars Anita Mui and Leslie Cheung display the androgynous magnetism that made them icons as doomed lovers in this emblematic film of Hong Kong’s Second New Wave, directed by pioneering queer melodrama master Stanley Kwan. Rouge bridges past and present in its tragic romance between a humble courtesan and the wayward scion of a wealthy family, who embrace death by suicide pact amid the opulent teahouses of 1930s Hong Kong. Fifty years later, she returns to the city-state to find him, drawing a young contemporary couple (Alex Man and Emily Chu) into her quest to rekindle a passion that may be as illusory as time itself. With its lush mise-en-scène and transcendently melancholy mood, this sensuous ghost story is an exquisite, enduringly resonant elegy for both lost love and vanishing history.
DIRECTOR-APPROVED SPECIAL EDITION FEATURES:
- New 4K digital restoration, approved by director Stanley Kwan, with uncompressed monaural soundtrack on the Blu-ray
- Alternate 5.1 surround soundtrack, presented in DTS-HD Master Audio on the Blu-ray
- New conversation between Kwan and filmmaker Sasha Chuk
- Yang ± Yin: Gender in Chinese Cinema, a 1997 documentary by Kwan exploring the representation of queerness and LGBT identity in Chinese film
- Still Love You After All These, a 1997 memoir film by Kwan about his Hong Kong identity
- Trailer
- New English subtitle translation
- PLUS: An essay by film programmer and critic Dennis Lim
FAREWELL AMOR (2020)
In her luminous feature debut, filmmaker Ekwa Msangi chronicles a broken family’s journey to wholeness with empathy and insight. Seventeen years after his family was separated by the civil war in Angola, a New York taxi driver (Ntare Guma Mbaho Mwine) is reunited with his now devoutly religious wife (Zainab Jah) and teenage daughter (Jayme Lawson) when they are finally able to follow him to America. But after living thousands of miles apart for so long, the three find they must discover one another’s strengths, forgive one another’s weaknesses, and bridge cultural and generational divides in order to build a life together. Told in three perspective-shifting chapters that honor the multitude of struggles and emotions that make up the immigrant experience, Farewell Amor is a bittersweet, compassionate evocation of how it feels when your heart and your home are in different places.
DIRECTOR-APPROVED SPECIAL EDITION FEATURES:
- New 2K master, approved by director Ekwa Msangi, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- New audio commentary featuring Msangi and cinematographer Bruce Francis Cole
- Three short films by Msangi: Suspense (2011); The Market King (2014); and Farewell Meu Amor (2016), a prequel to Farewell Amor
- New interviews with actors Ntare Guma Mbaho Mwine, Zainab Jah, and Jayme Lawson
- Deleted scenes
- Trailer
- English subtitles for the deaf and hard of hearing
- PLUS: An essay by scholar Tiana Reid
THE WORST PERSON IN THE WORLD (2021)
Renate Reinsve won the Best Actress prize at Cannes for the revelatory, complex performance that anchors this sprawlingly novelistic film by Norwegian auteur Joachim Trier, an emotionally intricate and exhilarating character study of a woman entering her thirties. Amid the seemingly endless possibilities of the modern world, Julie (Reinsve) vacillates between artistic passions and professions, the question of motherhood, and relationships with two very different men: a successful comic-book artist (Trier regular Anders Danielsen Lie) and a charismatic barista (Herbert Nordrum). Working with a team of longtime collaborators, Trier and his perennial co-writer Eskil Vogt construct in The Worst Person in the World, the Oscar-nominated third entry in their unofficial Oslo Trilogy, a liberating portrait of self-discovery and a bracingly contemporary spin on the romantic comedy.
DIRECTOR-APPROVED SPECIAL EDITION FEATURES:
- New 2K digital master, with 5.1 surround DTS-HD Master Audio soundtrack on the Blu-ray
- New interviews with director Joachim Trier; coscreenwriter Eskil Vogt; actors Renate Reinsve, Anders Danielsen Lie, and Herbert Nordrum; cinematographer Kasper Tuxen; and sound designer Gisle Tveito
- On-set footage from the creation of the film’s time-freezing sequence
- Deleted scenes
- PLUS: An essay by critic Sheila O’Malley