TORONTO – It’s September and the 2017 Toronto International Film Festival is in full swing. Elisabeth Moss is a weekend away from finally winning her first Emmy. Claes Bang still had hours of transatlantic air travel, publicity stops and interviews ahead of him. Yet, in this nondescript Toronto hotel room, the two stars of Ruben Östlund’s latest conversation piece, “The Square,” were reunited, having not seen each other since the Cannes where the film surprised many by winning the Palme d’Or.
READ MORE: ‘The Square’: Elisabeth Moss Shines In The Trailer For 2017’s Palme d’Or Winner
Östlund’s farce, which takes place in his native Sweden, finds Bang playing a Museum curator who sees his world turn upside down after the installation of a controversial exhibition. Moss is a journalist sent to interview him about the exhibit and they quickly develop a more personal relationship. The film also features an ape, a man who acts like an ape in public (Terry Notary) and Östlund clearly revels in the fact the film will make many audiences uncomfortable at times. That unique discomfort may actually help the film secure a Foreign Language Film nomination during a very competitive year.
Speaking of anticipated honors, Bang was heavily rumored to be the Best Actor winner at Cannes (he wasn’t) and how that affected him during his stay was the first subject of our three-way conversation.
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Claes Bang: Can I tell you a funny story from Cannes?
Elisabeth Moss: Yeah.
Claes Bang: When we were [at Cannes] there was this Screen International journalist, Wendy Mitchell, and she saw the film, she loved it, and she started [rooting] for me as best actor. She put on her Facebook page she put “The Daily Bang” and posted a new photo of me every day. Invented the hashtag #BangforBond.
Elisabeth Moss: So good!
Claes Bang: : At the end of the festival, all these predictions come out, right? My agents were fanning me. “It says in Variety now that you’re gonna win. It says in the Daily Telegraph you’re gonna win. It says in The Guardian.” It said everywhere and I started fucking believing the hype. I did. I started believing the hype, because everybody was saying, “It’s an amazing film. It’s so fucking good, but you’re not gonna win the big thing because it’s too funny.” So when we got that phone call on Sunday…
The Playlist: And they told Ruben to come, too, it wasn’t just…
Claes Bang: No, no. They invite the entire crew that is there. So they said to come and I was like, “Fuck, I’m gonna get [an] award.” So when they said, “And the award for Best Actor goes to,” I was almost fucking getting my ass out of the seat and then they said, “Joaquin Phoenix.” I was like, “Okay, I’ll stay put.” Then the next prize went, the next prize went, the next prize went and there was just one left. I leaned over to Rupert and I said, “Unless they’re really fucking with us, we’re gonna get the big one.” We got the big one and I was like, really, really so fucking happy about it, and he was, and everything was exploding, and then five minutes later I was like, “Wait a fucking second. What the fuck was that? He stole my award,that fucking Swedish wanker.” (Laughs.) So what happened is that all the people that get the awards, they go off to a press conference.
Elisbeth Moss: Yeah.
The Playlist: Yeah, I was at the press conferences.
Claes Bang: There’s an amazing party that starts out on the top of the Palais overlooking this harbor with all the boats and everything. Then you go down to the beach where there’s a department of a French restaurant that’s just the most amazing food, champagne, people in tuxes. I mean, amazing. I started to get a little bit pissed. I got quite drunk and then Ruben came back from the press conference and I saw him over there, and I was like, “I’m fucking gonna hurt him now. I’m fucking gonna go over there and kick his ass.”
The Playlist: Really?
Claes Bang: I was so mad. I was really … and I have done really, really stupid stuff when I’m drunk. So, I said to my wife, “We need to leave now.” So we left.
Elisabeth Moss: That’s the danger of believing the hype! That’s why after eight nominations I will never convince me of anything else other than that I’m gonna lose.
Claes Bang: And Ruben texted me something at [1 AM asking] “Where the fuck are you? I mean, we won and everybody’s asking for you.” I mean, everybody there had seen that film and unless you know Ruben, you don’t know that he is the guy, but everybody knew that I was sort of the lead of the film. And I was just…
Elisabeth Moss: Gone.
Claes Bang: I was gone.
The Playlist: But when you woke up the next morning with the hangover were you at least excited?
Claes Bang: I had to get up like, fuck dead early the next morning. That was one of the things. I had a show in Edinburgh that next night.
The Playlist: But when you were going to the airport, on the plane, you must have been thinking “Holy cow!” because when you make a movie you don’t necessarily think it’s going to win the Palme d’Or at Cannes.
Claes Bang: No, and my wife, she was so fucking mad with me. She said, “We’re leaving the party of our lives. There’s boom boom boom and they all want to talk to you, and now we’re leaving.” “Yes,” I said, “This is not where I’m gonna kill a director or try and break the Palme d’Or in half to say ‘This is mine’ or something.”
Elisabeth Moss: But how Ruben Ostlund would that have been if the lead actor and the director got into a fight?
Claes Bang: Exactly.
The Playlist: Yes!
Claes Bang: When I told him this story, because I’ve told him and I’ve told the press and everything now, he was just like, “This is the best story of the whole shoot.”
Elisabeth Moss: Yeah, it’s the greatest!
The Playlist: He’s gonna put this in a movie now. You realize this, right?
Claes Bang: It’s cool. It’s fine. It’s no problem. Listen, what I actually find quite funny is that when you think about it, it’s like, “Oh my God, no. Did I do that?” But when I tell the story people are like, “Finally, someone is coming out and saying I was really, really disappointed not to win.”
Elisabeth Moss: Right. Totally, yes.
Claes Bang: It was literally something like five or six places where it said, “He’s gonna win it.” I fucking believed it.
Elisabeth Moss: Of course. It’s dangerous!
The Playlist: By the way, I’m one of those people that do the stuff that say “these people are going to win.”
Elisabeth Moss: Right, exactly!
The Playlist: So, I guess I apologize?
Elisabeth Moss: No, by all means. It’s your job, but it’s like…
Claes Bang: I have this thing also that was like, “Okay, they really invited a rookie to Cannes. Now we’re gonna fuck with him.”
The Playlist: It’s not personal!
Claes Bang: “We’re gonna build him up, we’re gonna make him believe, and then-”
Elisabeth Moss: “We’re gonna take it away. Just to teach him a lesson.”
The Playlist: Elisabeth, you weren’t at the ceremony. Were you there for the premiere and then you left?
Elisabeth Moss: I went to Antibes which is like 45 minutes, a half an hour away or something. Nobody asked me to go to the Palme d’Or Ceremony.
The Playlist: Oh, they didn’t call and tell you? I thought they gave everyone 24 hours notice.
Claes Bang: No. For instance, if you’re in Japan and you’ve gone back to Japan and you’re getting an award, they will let you know in time so you can get on a plane.
The Playlist: But they didn’t do it this year for Nicole [Kidman] and Sophia [Coppola] because they had to do video stuff because there was no way for them to make it back in time.