Cannes Review: Takashi Miike Buys License For Next Five Duds With Transcendently Batsh*t ‘Yakuza Apocalypse’
Cannes Review: Takashi Miike Buys License For Next Five Duds With Transcendently Batsh*t 'Yakuza Apocalypse'
Cannes Review: Jia Zhangke’s ‘Mountains May Depart’ Is A Decades-Spanning Look At The Changing Face Of China
Cannes Review: Jia Zhangke's 'Mountains May Depart' Is A Decades-Spanning Look At The Changing Face Of China
“This Movie Could Never Have Been Done In America”: Gaspar Noé Talks ‘Love,’ Wants 12 Year-Olds To See It
“This Movie Could Never Have Been Done In America”: Gaspar Noé Talks 'Love,' Wants 12 Year-Olds To See It
Cannes Review: Matthias Schoenaerts And Diane Kruger Shine In Alice Winocour’s ‘Disorder’
Cannes Review: Matthias Schoenaerts And Diane Kruger Shine In Alice Winocour's 'Disorder'
Cannes Review: South Korean Horror-Thriller ‘Office’ Brings Murder To The Workplace
Cannes Review: South Korean Horror-Thriller 'Office' Brings Murder To The Workplace
Cannes Review: Jacques Audiard’s ‘Dheepan’ Is An Excellent, Searing & Compassionate Drama
Cannes Review: Jacques Audiard's 'Dheepan' Is An Excellent, Searing & Compassionate Drama
Cannes Review: Gaspar Noé’s Hardcore And Softhearted ‘Love’
Cannes Review: Gaspar Noé's Hardcore And Softhearted 'Love'
Cannes Review: Hou Hsiao-Hsien’s ‘The Assassin’ Is An Epic Visual Poem
Cannes Review: Hou Hsiao-Hsien's 'The Assassin' Is An Epic Visual Poem
Cannes Review: ‘Tabu’ Director Miguel Gomes’ Astonishing Six-Hour ‘Arabian Nights’
Cannes Review: ‘Tabu’ Director Miguel Gomes’ Astonishing Six-Hour ‘Arabian Nights’
The 10 Most Controversial Cannes Films Ever
The 10 Most Controversial Cannes Films Ever