Reactions are pouring out of Cannes as we speak for Todd Haynes’ much anticipated “Carol” starring Cate Blanchett and Rooney Mara. The buzz sounds like a slam dunk, and even possibly Palme d’Or frontrunner. Reactions are positively ecstatic, with many believing the film — dated for a December 18 release yesterday by The Weinstein Company — will be a sure Oscar frontrunner in the fall. Considering it’s been eight years since Haynes made a feature length film, 2007’s prismic Bob Dylan “I’m Not There.,” this is heartening news.
Of course, Haynes did make something in the interim, “Mildred Pierce,” a limited series for HBO starring Kate Winslet, which was arguably like a sumptuous and gorgeous four-hour movie as good as anything he’s ever made. Apparently Haynes loved the longform medium of a limited series. According to a ScreenDaily interview, Haynes is planning a return to television in a similar format to “Mildred Pierce.”
READ MORE: Cannes Review: Todd Haynes’ ‘Carol’ Starring Cate Blanchet And Rooney Mara
“There are other things I’ve thought of that could only be handled in that way, with a bigger palette and more extended shape,” Haynes said. “I’m conceiving a limited series based on events that really occurred in the early ’70s in L.A. based on the ‘The Source Family’ documentary.”
In case you haven’t seen it, our review here, the ‘Source Family’ was essentially about a cult and cult leader. The doc’s official synopsis reads:
The Source Family was a radical experiment in ’70s utopian living. Their outlandish style, popular health food restaurant, rock band, and beautiful women made them the darlings of Hollywood’s Sunset Strip; but their outsider ideals and the unconventional behavior of their spiritual leader, Father Yod, caused controversy with local authorities. They fled to Hawaii, leading to their dramatic demise. You can watch the trailer below.
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As film turns towards tentpoles, superhero movies, and event pictures, Haynes praised the small screen and streaming outlets for having more adventurous taste.
“The cable world is offering directors a new rage of opportunities,” he said. “There’s a healthy sense of competition within cable and streaming entities now, they’re actively looking for problematic subject matter and characters who are not just lovable. That’s encouraging.”
So, a Todd Haynes miniseries based on ‘70s cult, their crazy rock band, and their eventual demise? We’re there. In the meantime, the director’s latest effort for cinema appears to have gone over like gangbusters. Tweet reactions below. Our own review should be in either later today or early tomorrow. Update: our review is right here. “Carol” hits theaters December 18, but knowing the Weinsteins, you should probably expect it to show up all over the fall film festival circuit too.
Todd Haynes’s Carol is an amour fou which plays out with sanity and generosity — review up later #Cannes2015 #Cannes
— Peter Bradshaw (@PeterBradshaw1) May 16, 2015
Take it to the bank: “Carol” is “Brokeback Mountain” for girls. Blanchett and Mara HAVE to share the Cannes jury’s Best Actress award.
— Hollywood Elsewhere (@wellshwood) May 16, 2015
CAROL is a wonderfully sumptuous love story. Performances as beautiful as could be imagined. Haynes as good as any working director. #Cannes
— Ryland Aldrich (@RylandAldrich) May 16, 2015
Is Carol Todd Haynes’ masterpiece? Probably. Achingly gorgeous from first frame to last #Cannes2015
— Total Film (@totalfilm) May 16, 2015
Is there a director more in control of every frame than Todd Haynes? #carol #cannes2015
— Steven Zeitchik (@ZeitchikLAT) May 16, 2015
CAROL: Todd Haynes’ forbidden love drama sure-fire Palme & Oscar prospect. Aces all ’round, especially Blanchett & Rooney. #Cannes2015
— Peter Howell (@peterhowellfilm) May 16, 2015
Blanchett & Mara carry Todd Haynes’ 50s lesbian romance Carol with glamorous allure. Strong contender for awards @cannes15 & beyond
— Anne Thompson (@akstanwyck) May 16, 2015
The love story that is Todd Haynes’ “Carol” is as exquisite, deeply felt and affecting as anything I’ve ever seen. Oscar action all the way.
— Hollywood Elsewhere (@wellshwood) May 16, 2015
Todd Haynes’ Carol with Cate Blanchett and Rooney Mara is absolutely gorgeous #Cannes2015
— Kate Muir (@muirkate) May 16, 2015
Todd Haynes’ CAROL is transporting. Gorgeously realized. Cate Blanchett is just… #Cannes2015
— Nigel M. Smith (@nigelmfs) May 16, 2015
Todd Haynes’s CAROL fulfills it’s promise for me, full of magnificent tenderness. #Cannes2015
— Nick James (@filmnickjames) May 16, 2015
Cate Blanchett always kills so no surprise here that she nails the titular role, but “Carol” is a major breakout for Rooney Mara as Therese.
— Hollywood Elsewhere (@wellshwood) May 16, 2015
Haynes’ #CAROL: Softens/simplifies the novel a tad (Weinstein hands?) but stunning visuals/score compensate. Blanchett supreme. #Cannes2015
— Alex Ramon (@BoycottTrends) May 16, 2015
So far, the two best #Cannes2015 competition movies are beautifully engineered to make you weep: SON OF SAUL and CAROL.
— erickohn (@erickohn) May 16, 2015
CAROL: All I wanted and more — like stepping into a Hopper painting and finding a devastating romance unfolding in the dark corners.
— Alison Willmore (@alisonwillmore) May 16, 2015
CAROL just shattered my heart into a thousand pieces. Subtle, beautiful, brilliant.
— Jordan Hoffman (@jhoffman) May 16, 2015
Where do you even start? Kazan, Sirk, Ozu all there. Craft and photography basically perfect. Blanchett and Mara goddess-like. #Cannes2015
— Robbie Collin (@robbiereviews) May 16, 2015
CAROL is “correct,” but strangely flat & starchy, fetishitically keen on decor over dialogue, lacking in FAR FROM HEAVEN’s depth. #Cannes
— Peter Debruge (@AskDebruge) May 16, 2015
Carter Burwell’s score for CAROL is sublime. #cannes
— Craig Skinner (@CSkinner) May 16, 2015
CAROL: Todd Haynes conjures a beautiful slightly austere sonata from Highsmith’s lesbian romance. Subject of many future PhDs. #Cannes2015
— Donald Clarke (@DonaldClarke63) May 16, 2015
Todd Haynes’s CAROL, gorgeous, devastating — huge cheer at #Cannes2015. If not best actress for Cate Blanchett, Palme looks within reach
— Deborah Cole (@doberah) May 16, 2015
It’s a little bit hard to process just how heart-bulldozingly great Carol is at the moment. #Cannes2015
— Robbie Collin (@robbiereviews) May 16, 2015