Ana Lily Amirpour’s ‘Mona Lisa and the Blood Moon’ is a Sweet, Scuzzy Blast of Pure Escapism [Venice Review]
Like finding a grubby, balled-up bill in your spangly g-string and uncrumpling it to discover doughy old Ben Franklin staring benignly back at you, Ana Lily Amirpour's third feature is a sweet, scuzzy surprise...