Cannes 2009: Gaspar Noé’s ‘Enter The Void’ Nightmare Is Visually Ambitious, But Convoluted, Meandering and Pretentious?
The day we were leaving Cannes, we already caught wind that Michael Haneke's "The White Ribbon," was hit and miss for many people, and figured that Gilliam's 'Doctor Parnassus' would probably be uneven as well,...